When I was home for a wedding last month, I visited my favorite local bookstore, Carmichael’s, a couple times. We don’t have an English-language bookstore in my city in Italy (and my reading level in Italian is roughly that of a ten-year-old), so I luxuriated in a store full of things I could potentially actually read. I’m going to need everyone to stop writing books for the next six to ten years so I can catch up; there’s so much amazing stuff and somehow there’s always more.
The guy behind the desk recommended three books for me to take home, one of which was The Sellout by Paul Beatty. “You like Josh Ferris, right?” I do, yes. “And you were into Confederacy of Dunces?” Sure was. “Already read the new Ta-Nehisi Coates?” Twice. “Great, here.”
I devoured The Sellout on the plane home, though I don’t know if I would describe my appetite for it as voracious. As you and the rest of the English-speaking world likely already know, The Sellout was the first book by an American to win the Man Booker, which should have warned me. Remains of the Day, A Brief History of Seven Killings, God of Small Things, and The Blind Assassin are some of my other favorite winners, and they all fall squarely into the category of “things I am glad I read and agree are for sure outstanding art but made me want to die the whole time.”
Here’s the premise, and let me know when you start squirming: